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Saturday, 8. September 2018 - 15:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
With Alessa SängerΔ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
Alessa Sänger will guide through the exhibition and give insights into the working and research process.
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.
7€ / 3,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen -
Sunday, 9. September 2018 - 15:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”Δ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.Follow us @weltkulturen.museum and #GesammeltGekauftGeraubt? #RaubgutFrankfurt #LootedArtFrankfurt!
7€ / 3,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen -
Wednesday, 12. September 2018 - 18:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”Δ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.Follow us @weltkulturen.museum and #GesammeltGekauftGeraubt? #RaubgutFrankfurt #LootedArtFrankfurt!
7€ / 3,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen -
Wednesday, 12. September 2018 - 19:00
∇ TALK
“Looted art or not?”
With Bas van Lier (author and journalist, Amsterdam)Δ TALKIn April 1941 the Städtisches Völkermuseum in Frankfurt bought 61 ethnographic objects from the Dutch Jewish art dealer Carel van Lier in Amsterdam. Part of this collection was recuperated after the war by the Dutch State. Van Lier’s grandson, writer and journalist Bas van Lier, issued a claim in 2006 and finally was given back one object, an ivory hunting horn from Congo. In his lecture he will elaborate on the backgrounds of his claim and the dilemmas around looted art.
Further information about the exhibition here.
In English.
Weltkulturen Labor, Schaumainkai 37
5€ / 2,50€
schließen -
Sunday, 16. September 2018 - 15:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”Δ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.Follow us @weltkulturen.museum and #GesammeltGekauftGeraubt? #RaubgutFrankfurt #LootedArtFrankfurt!
7€ / 3,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen -
Wednesday, 19. September 2018 - 18:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”Δ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.Follow us @weltkulturen.museum and #GesammeltGekauftGeraubt? #RaubgutFrankfurt #LootedArtFrankfurt!
7€ / 3,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen -
Sunday, 23. September 2018 - 15:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”Δ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.Follow us @weltkulturen.museum and #GesammeltGekauftGeraubt? #RaubgutFrankfurt #LootedArtFrankfurt!
7€ / 3,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen -
Wednesday, 26. September 2018 - 18:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”Δ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.Follow us @weltkulturen.museum and #GesammeltGekauftGeraubt? #RaubgutFrankfurt #LootedArtFrankfurt!
7€ / 3,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen -
Sunday, 30. September 2018 - 15:00
∇ EXHIBITION TOUR
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”Δ EXHIBITION TOURVisitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Did Colani's pass, a killed Ngqika, come to Germany from South Africa as a war trophy? Collectors: Carl Immanuel Müller, before 1879, Collection Weltkulturen Museum
Visitors at the exhibition opening of COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
Exhibition view COLLECTED. BOUGHT. LOOTED?, Weltkulturen Labor 2018
“COLLECTED. BOUGHT. LOOTED? Case Studies from a Colonial and National Socialist Context”
How did ancestor figures from Nias off the western coast of Sumatra enter the European art market in the early twentieth century? Why could the museum buy objects rather ‘cheaply’ in Paris and Amsterdam in the early 1940s? Is a weapon belt from South Africa war booty?
These are just some of the questions arising from a critical review of the Weltkulturen Museum’s collection.
Further information about the exhibition here.Follow us @weltkulturen.museum and #GesammeltGekauftGeraubt? #RaubgutFrankfurt #LootedArtFrankfurt!
5€ / 2,50€. Costs of tour included in admission fee
Weltkulturen Labor, Schaumainkai 37
schließen